02
December
2016
Cue of the Week: “Audrey and Einstein (End Title)”
This week’s selection is the end-credit music for Audrey and Einstein. Rhythm acoustic guitar, accordion, piano, and glockenspiel join forces in an upbeat whimsical wrap-up.... Read More
18
November
2016
Cue of the Week: “The Cram Session”
Continuing the series from the romantic comedy Audrey and Einstein, this is a sprightly cue for solo strings and a collection of colorful percussion instruments.
11
November
2016
Cue of the Week: “The Uninvited Guest”
This week’s selection is another cue from the romantic comedy Audrey and Einstein, whose main theme I posted last week. This solo piano waltz continues... Read More
04
November
2016
Cue of the Week: “Audrey and Einstein”
This week’s cue is the opening theme for a short film I scored many years ago, a charming romantic comedy about a lonely woman’s bond... Read More
14
October
2016
Cue of the Week: “Playground Groove II”
Admin: you can now go directly to this blog via cueoftheweek.com ! Onto the music. This week’s selection is a playful bit of electronic pop... Read More
30
September
2016
Cue of the Week: “The Yard Sale”
This week’s selection is a lyrical and nostalgic cue from the film Against Time. The scene’s heart was a particularly moving performance by Craig T.... Read More
23
September
2016
Cue of the Week: “Gideon’s Ride”
This week’s selection comes from a concert project I’ve been tinkering with for years, called Gideon and the Blundersnorp. This is a fantasy story for... Read More
16
September
2016
Cue of the Week: “Into the West”
This week’s cue is a rhythmically-driven blend of Western folk music and orchestral minimalism. Some of the instruments here would feel at home in an... Read More
09
September
2016
Cue of the Week: “Triumphant Victory”
In the game Empire Earth 2 a player can complete campaigns as various nations. Each nation received its own musical themes, which I wrote to... Read More
02
September
2016
Cue of the Week: “The Mirror”
The Cue of the Week is back! (Having taken a few weeks off for the composer’s trip to the Edinburgh Fringe Festival.) The hollow tone... Read More
