08
February
2013
Cue of the Week: “A Last Look Around”
This week’s selection is another cue from Against Time, this time a wistful interlude near the end of the film. Props again to the Budapest... Read More
01
February
2013
Cue of the Week: “The Treehouse”
This selection from the score of the film Against Time is one of my personal favorites, and features a lovely performance by the Budapest Film... Read More
25
January
2013
Cue of the Week: “The Aquarium”
This week’s selection is a bouncy yet wistful mix of pitched percussion, flute, and upright bass. (Click on the play button to stream, or the... Read More
18
January
2013
Cue of the Week: “Weapons Shop”
This short and impish piece of music is from the game Wizard Ops, and plays when you negotiate with a surly shopkeeper to buy an... Read More
11
January
2013
Cue of the Week: “Going Home”
This week’s music is actually a splice of two successive cues from the film Home Room. (Bonus points if you can discern where I made... Read More
14
December
2012
Cue of the Week: “No Rest For The Merry”
Keeping in step with the season, this week’s selection is my hyperactive arrangement of God Rest Ye Merry Gentlemen. Thanks to Wikipedia, I learned all... Read More
07
December
2012
Cue of the Week: “Broken (alternate)”
This week’s music is from Red Field Media’s short dramatic film, “Broken”. I wrote two versions of the music to accompany the end credits, both... Read More
30
November
2012
Cue of the Week: “Groove Pastiche Two”
This is another one of those commercial cues that’s unabashedly cheesy, but really fun to write. (Click on the play button to stream, or the... Read More
23
November
2012
Cue of the Week: “Everything She Does”
I usually try to tailor my musical selections to reflect current U.S. holidays, but I don’t think I’ve ever written anything Thanksgiving-related. (“Drumstick” pun opportunities... Read More
09
November
2012
Cue of the Week: “You Can’t Go Back”
Like film footage, music sometimes gets left on the proverbial cutting room floor. This week’s selection is a tender orchestral cue that both the director... Read More
