This week’s selection from the Dice Legacy soundtrack is the second of the “summer cues”, musical interludes for the sunny portion of the game’s weather cycle. This music is comparatively peaceful and bucolic. (In-game, the score becomes edgier if bad guys invade or civic unrest breaks out.)

Here a harp plucks a peaceful albeit asymmetrical rhythm (in 7/4 time, for you music nerds) while woodwinds trade solos over lush strings.

The week’s selection from the Dice Legacy soundtrack is the first piece of underscore I wrote aside from the main theme. The mixture of orchestra and folk instruments felt perfect for the game’s world, and would end up being the defining sound of the score. The Swedish nyckelharpa makes another appearance here, sonically speaking, in the cue’s lyrical second half.

(I really need to train autocorrect to recognize “nyckelharpa”.)

This music from the Dice Legacy score accompanies an animation of the player’s galleon arriving on shore. The animation introduces us to the game’s distinctive visual, a ringworld surface that rises skywards in the distance. The music starts out with a mournful cello solo, then grows in aspiration as the camera tilts up to reveal the view.

As always, you can listen to the music at the link below. Or, if you’d like to see the animation and hear the music in context, check out the beginning of this video.

I’m pleased to share some music from the Dice Legacy soundtrack! This is the game’s main theme, featuring a mournful cello solo courtesy of Simone Vitucci, as well as the first appearance of one of the score’s more distinctive instruments, the Swedish nyckelharpa, played here by Mats Wester. (The latter instrument is featured more prominently in later cues.)

Click below to hear this particular piece. Alternatively, you can stream the entire album on any of the major music services! Here’s a handy link to the album on Spotify/Apple Music/etc.

Here’s the fourth atmospheric piece I wrote for Green Ronin’s post-apocalypse D&D scenario, The Lost Citadel. (As with the others, delivered via Syrinscape’s cool gaming audio system.) This music accompanies players as they explore the desolate lands outside the city, populated by armies of the dead.

At the opening, I used a mournful english horn solo to evoke the lonely landscape (I may have taken some inspiration from Berlioz here). The music turns more militant towards the end, evoking the undead armies on the march. Or at least on the lumber.

Here’s the third of the atmospheric pieces I wrote for Green Ronin’s The Lost Citadel. This is your classic dungeon-exploration music: grim, unsettling, and suggestive of things in the dark.

(As you can tell, I’m a fan of cellos and basses playing in low octaves.)