This piece for piano and accordion is more Parisian than wintery, but hopefully the music will evoke some January associations as well. This cue is also a distant cousin to “Autumn in Paris”, which I shared a few months ago. Enjoy!

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In the spirit of the holiday, here’s my frenetic interpretation of God Rest Ye Merry Gentlemen.

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Tip of the santa hat to the folks at APM Music (for whose “Holiday Madness” release this cue was written). Hope you’re all having a joyous Christmas day and looking forward to a splendid New Year.

This elegiac piece, squarely in the epic fantasy tradition, features a haunting vocal performance by recording and performing artist Jennifer Lindsay.

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Happy Thanksgiving to my American readers! I like to make my musical selections holiday-themed, but Thanksgiving is a tough nut to crack in that regard. This week’s selection has a warm conclusion which will hopefully approximate the feelings of the season.

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This week’s selection is a dark sci-fi cue portending threatening saucers in the sky. Time to drape some camouflage tarp over our national monuments!

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A rollicking orchestral cue written for a feature film early in my career. It’s also one of the first full orchestra pieces I conducted personally. Given that this was a seasoned AFM ensemble, the experience was a bit intimidating. (Especially since I often had to tell the musicians to quit talking so much!)

The cue has been recently remastered, and thus sounds more detailed and, for lack of a better term, shinier than ever.

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This week’s selection is a dark orchestral denouement. The cue starts with an elegiac introduction then shifts to a darker end title section. Or in cinematic terms, “everything’s going to be okay” followed by “… I guess.”

The second section features one of my favorite woodwind tricks: having an alto flute play in its highest register to create a pale, haunting sound.

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This week’s selection is a nostalgic cue for solo piano.

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