This cue, from the political thriller The F-Zone, is a good example of how composers are lazy and like to recycle. The music opens with a suspenseful harp passage, which is really just the movie’s main theme re-purposed as an accompaniment. I then shamelessly recycle an earlier plot-development theme from this cue, now played by the celli and violas. The oboe player then begins the film’s love theme, which by this point the attentive audience member has heard half a dozen times.

Quite a lot of mileage with barely any new music written! (If pressed, composers will refer to this process as “motivic development”.)

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	A Consultation

This week’s selection intermixes lots of drums with cimbalom, mandolin, and recorder. (An alternate name for this piece might be “massacre at the Renaissance fair”.)

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	The Lowlanders

This week’s selection is a bit of mid-tempo electronica-plus-acoustic-guitar-plus-vibraphone (yes, that old cliche) written for Culture, an XBox Live game.

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	Sudden Blooms

This week’s selection is a brooding and introspective adagio for trumpet, piano, and strings. Featured in the film Our Crisis (Cuba).

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	After the Crisis