As the great Henry Mancini taught us, sometimes you just gotta write jazzy sneaking music.


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	Sneaking the Keys

Accordion (of course) and piano help evoke an overseas wintery musical vignette.


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	Winter in Paris

This week’s selection is the orchestral main theme for a political thriller I scored back in the mid-90s, and the first major recording I conducted myself. We tracked at the fondly-remembered O’Henry Recording Studios, which has sadly joined the ranks of retired recording facilities. I was too young at the time to fully appreciate the quality of the union orchestra I had at my disposal, but the rich performance says it all.

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	The F-Zone (End Titles)

In this week’s selection, ambient solo piano evokes a mood of longing for days past.


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	Tender Days

In this week’s selection, bluesy clarinet, piano, and strings create an atmosphere of old-school slyness. (As happens embarrassingly often with my older cues, I can’t remember who the soloists were. If you were one of them, feel free to write to me. 🙂 )


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	The Big Plan