That’s not a solo cello you hear, but a contrabass played lyrically with a bow, courtesy of bassist Maggie Hasspacher. This is the theme for Leo, a gentle soul who just wants to wear a blonde wig and avoid fights. Since he’s Emerald, Texas‘s analogue to the cowardly lion, I gave him the growly timbre of a bass, but put it in its uppermost register to reflect the character’s softer side.

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	The Story of Leo

The music for Emerald, Texas‘s last scene has a happy-go-lucky vibe, with guitars segueing into a finale for piano and strings. (The film’s denouement is less straightforward than this cue suggests!)

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	Postcard Therapy

Just your basic ambient percussive quasi-ethnic forest hippie music.

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	Welcome to Ozana

This week’s selection, from the score of Emerald, Texas, uses a southwestern guitar feel to accompany a drive in the desert at night. (It took some self-restraint for me not to add a rattlesnake sound.)

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	Driving at Night

And now, my personal favorite of the tracks from the Emerald, Texas score. The scene is a moment of relaxation in a windy field of golden flowers.

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	Golden Coreopsis