Just your basic ambient percussive quasi-ethnic forest hippie music.

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	Welcome to Ozana

This week’s selection, from the score of Emerald, Texas, uses a southwestern guitar feel to accompany a drive in the desert at night. (It took some self-restraint for me not to add a rattlesnake sound.)

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	Driving at Night

And now, my personal favorite of the tracks from the Emerald, Texas score. The scene is a moment of relaxation in a windy field of golden flowers.

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	Golden Coreopsis

In this selection from the score of Emerald, Texas, we’re introduced to bail bond bounty hunter Elva West, a modern reimagining of L. Frank Baum’s wicked antagonist. She’s musically characterized with a motive for low-register electric guitar, accompanying mandolin, vibes, and “witchy” counterlines for solo violin.

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	Elva Arrives

In one scene from the film Emerald, Texas, protagonist Dee pauses for reflection while her more carefree friends play in a parking lot. Like much of the score, this cue mixes acoustic guitar with strings to reflect both contemporary Americana and the Wizard of Oz parallels of the story.

Guitar solo by Kyle Johnson.