29
October 2010
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Cue of the Week: “The Killer Whale”

One more scary cue for Halloween! This one is more of a family-friendly kind of scariness, rather than something you’d hear in a film about saws or silenced lambs. In this short cue, a rising orchestral crescendo marks the arrival of the world’s most frightening sea creature (if you happen to be a penguin).


(Click on the play button to stream, or the cue title to download.)

The Killer Whale
 

22
October 2010
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Cue of the Week: “Captured”

My goal for this cue was to make a harp sound scary. This might seem like a tall order given the instrument’s angelic associations, but in fact the harp has an oft-overlooked lower register that can sound quite creepy. The orchestral accompaniment helps out here with a non-vibrato string drone and subtle wind pulses that swell in and out.


(Click on the play button to stream, or the cue title to download.)

Captured
 

12
October 2010
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Identity Concerto album recording

Album recording has been completed for Identity: Zhongshan Zuang, concerto for guzheng (Chinese zither) and orchestra. The United Musicians Symphony of Los Angeles, led by acclaimed conductor Case Scaglione, completed a recording session earlier this month at the Eastwood Stage at Warner Brothers Studios. Guzheng virtuoso Chang Su returned as soloist, continuing her role as the definitive interpreter of this piece.

Editing and mixing are now underway, with a release scheduled for late 2010 by Hanyi Records.

08
October 2010
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Cue of the Week: “Encounter”

Continuing the theme of creepy music for October: from Aaron Simms’ supernatural thriller Vermilion, this underscore accompanied the final run-in with a painting come to life. (This was much scarier on film than it sounds in my description!)


(Click on the play button to stream, or the cue title to download.)

Encounter
 

01
October 2010
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Cue of the Week: “Flashback”

Continuing the theme of creepy music through Holloween: This week’s selection features Native American flutes, bowed prayer bowls, a spring drum, and an unusual instrument known as a Lion’s Roar.

The music was entirely acoustically generated, with no use of samples or synthesized timbres. Though computers can make wonderful sounds, I think that the most expressive music comes from human beings playing physical instruments. This remains true even when the music is disquieting rather than melodic.

(Click on the play button to stream, or the cue title to download.)

Flashback
 

Morituri Te Salutant // Michael Gordon Shapiro - Highlights
  1. Morituri Te Salutant // Michael Gordon Shapiro - Highlights
  2. Emerald, Texas // Highlights
  3. Mythic Battle // Highlights
  4. The Yard Sale // Michael Gordon Shapiro - Highlights
  5. Investigations // Highlights
  6. Home Room // Highlights
  7. Sands of Arabia // Highlights
  8. Spider Cult // Highlights
  9. Poker Night // Highlights