Michael’s score for Touché: A Blind Fencer’s Story has been nominated for Best Music in Film at the Madrid International Film Festival. The film itself, submitted in its shorter version, is also a nominee for the Best Short Documentary category.
Since my previous cue was a romanticized, melodic interpretation of a desert environment, I thought I’d offer a contrasting take on the same subject. This week’s selection is visceral and raw, evoking a desert’s harsh conditions and oppressive heat. Nothing to hum along to here!
Part of my approach was to include musical timbres that were organic but unfamiliar, to add a creepy and alienating flavor to the score.
(Click on the play button to stream, or the cue title to download.)
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Bite of the Desert | |
Lorem ipsum dolor sit amet, consectetur adipisici elit, sed eiusmod tempor incidunt ut labore et dolore magna aliqua. Idque Caesaris facere voluntate liceret: sese habere. Magna pars studiorum, prodita quaerimus. Magna pars studiorum, prodita quaerimus. Fabio vel iudice vincam, sunt in culpa qui officia. Vivamus sagittis lacus vel augue laoreet rutrum faucibus.
Nihilne te nocturnum praesidium Palati, nihil urbis vigiliae. Non equidem invideo, miror magis posuere velit aliquet. Qui ipsorum lingua Celtae, nostra Galli appellantur. Prima luce, cum quibus mons aliud consensu ab eo. Petierunt uti sibi concilium totius Galliae in diem certam indicere.
Cum sociis natoque penatus etaed pnis dis parturient montes, scettr aieo ridus mus. Etiam portaem mleyo.
Lorem ipsum dolor sit amet, consectetur adipisici elit, sed eiusmod tempor incidunt ut labore et dolore magna aliqua. Idque Caesaris facere voluntate liceret: sese habere. Magna pars studiorum, prodita quaerimus. Magna pars studiorum, prodita quaerimus. Fabio vel iudice vincam, sunt in culpa qui officia. Vivamus sagittis lacus vel augue laoreet rutrum faucibus.
Nihilne te nocturnum praesidium Palati, nihil urbis vigiliae. Non equidem invideo, miror magis posuere velit aliquet. Qui ipsorum lingua Celtae, nostra Galli appellantur. Prima luce, cum quibus mons aliud consensu ab eo. Petierunt uti sibi concilium totius Galliae in diem certam indicere.
| Pharetra | Malesuada | Cursus | Euismod |
|---|---|---|---|
| Ipsum | Portalion | Elitesimo | Aenean |
| Ipsum | Portalion | Elitesimo | Aenean |
| Ipsum | Portalion | Elitesimo | Aenean |
| Ipsum | Portalion | Elitesimo | Aenean |
| Ipsum | Portalion | Elitesimo | Aenean |
Lorem ipsum dolor sit amet, consectetur adipisici elit, sed eiusmod tempor incidunt ut labore et dolore magna aliqua. Idque Caesaris facere voluntate liceret: sese habere. Magna pars studiorum, prodita quaerimus. Magna pars studiorum, prodita quaerimus. Fabio vel iudice vincam, sunt in culpa qui officia. Vivamus sagittis lacus vel augue laoreet rutrum faucibus.
Nihilne te nocturnum praesidium Palati, nihil urbis vigiliae. Non equidem invideo, miror magis posuere velit aliquet. Qui ipsorum lingua Celtae, nostra Galli appellantur. Prima luce, cum quibus mons aliud consensu ab eo. Petierunt uti sibi concilium totius Galliae in diem certam indicere.
Michael is interviewed by Chris Coke of MMORPG.com on the latest episode of the “Game On” podcast. The primary topic is Michael’s score for Hex: Shards of Fate, though there’s also discussion of the creative process and advice for those starting out in game music.
This week’s selection is an orchestral overture with flavors of mideastern folk music, written for the game Empire Earth II. The sinuous-sounding wind instrument opening the piece is an Armenian duduk, played here by Chris Bleth. Everything else comes courtesy of the Budapest Film Orchestra.
(Click on the play button to stream, or the cue title to download.)
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Sands of Arabia | |
