I’m flattered to be featured in the #DoricoShowcase series, which highlights works by composers who use Dorico notation software. Read about my concert works for guzheng (previous and forthcoming) and some other cool projects!
This one is unusual for me in that it’s all-synth. I refer to it as a dark journey through an alien place. It was closer to a performance than a composition in the traditional sense, in that I rode the pitch-bend wheel to create ongoing modulations. (Or in less fancy terms, the wweeeOOOOWwwwwww effects.) Definitely not something you’re going to whistle on the way to work. 🙂
This week’s selection is another cue from the political thriller The F-Zone. More accurately, a medley of two cues for adjacent film scenes which I thought complemented each other well.
The first part puts a moody soprano sax* atop piano and flutes, while the second section is more somber and string-focused.
* Saxophones aren’t legally required to only play jazz!