Continuing the music series from Touché: A Blind Fencer’s Story, this week’s cue is a gentle accompaniment to fully blind fencer Ani Brady, as she deftly prepares a meal with the help of her daughter. The sensitive guitar performance comes courtesy of Tom Strahle.
(Click on the play button to stream, or the cue title to download.)
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Ani at Home | |
Lorem ipsum dolor sit amet, consectetur adipisici elit, sed eiusmod tempor incidunt ut labore et dolore magna aliqua. Idque Caesaris facere voluntate liceret: sese habere. Magna pars studiorum, prodita quaerimus. Magna pars studiorum, prodita quaerimus. Fabio vel iudice vincam, sunt in culpa qui officia. Vivamus sagittis lacus vel augue laoreet rutrum faucibus.
Nihilne te nocturnum praesidium Palati, nihil urbis vigiliae. Non equidem invideo, miror magis posuere velit aliquet. Qui ipsorum lingua Celtae, nostra Galli appellantur. Prima luce, cum quibus mons aliud consensu ab eo. Petierunt uti sibi concilium totius Galliae in diem certam indicere.
Cum sociis natoque penatus etaed pnis dis parturient montes, scettr aieo ridus mus. Etiam portaem mleyo.
Lorem ipsum dolor sit amet, consectetur adipisici elit, sed eiusmod tempor incidunt ut labore et dolore magna aliqua. Idque Caesaris facere voluntate liceret: sese habere. Magna pars studiorum, prodita quaerimus. Magna pars studiorum, prodita quaerimus. Fabio vel iudice vincam, sunt in culpa qui officia. Vivamus sagittis lacus vel augue laoreet rutrum faucibus.
Nihilne te nocturnum praesidium Palati, nihil urbis vigiliae. Non equidem invideo, miror magis posuere velit aliquet. Qui ipsorum lingua Celtae, nostra Galli appellantur. Prima luce, cum quibus mons aliud consensu ab eo. Petierunt uti sibi concilium totius Galliae in diem certam indicere.
| Pharetra | Malesuada | Cursus | Euismod |
|---|---|---|---|
| Ipsum | Portalion | Elitesimo | Aenean |
| Ipsum | Portalion | Elitesimo | Aenean |
| Ipsum | Portalion | Elitesimo | Aenean |
| Ipsum | Portalion | Elitesimo | Aenean |
| Ipsum | Portalion | Elitesimo | Aenean |
Lorem ipsum dolor sit amet, consectetur adipisici elit, sed eiusmod tempor incidunt ut labore et dolore magna aliqua. Idque Caesaris facere voluntate liceret: sese habere. Magna pars studiorum, prodita quaerimus. Magna pars studiorum, prodita quaerimus. Fabio vel iudice vincam, sunt in culpa qui officia. Vivamus sagittis lacus vel augue laoreet rutrum faucibus.
Nihilne te nocturnum praesidium Palati, nihil urbis vigiliae. Non equidem invideo, miror magis posuere velit aliquet. Qui ipsorum lingua Celtae, nostra Galli appellantur. Prima luce, cum quibus mons aliud consensu ab eo. Petierunt uti sibi concilium totius Galliae in diem certam indicere.
Continuing the selections from Touché: A Blind Fencer’s Story, this week’s cue is the music from the opening credits. The haunting black-and-white visual of two fencers dueling in slow-motion inspired this lyrical piece for solo piano.
Piano always feels like a natural match for black and white imagery; the color of the keyboard is an obvious correlate, and since piano is used to make “sketches” of orchestral pieces there may be a functional analogy as well. But ultimately I think it’s the instrument’s focused, consistent sound that makes the association click in my mind.
Those ruminations safely delivered, hope you enjoy the piece!
(Click on the play button to stream, or the cue title to download.)
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Touché (Main Titles) | |
This week’s cue is another selection from the feature documentary Touché: A Blind Fencer’s Story — specifically, a theme for one of the fencers’ serpentine housepets. While I didn’t go overboard trying to match the music to the “character”, I’d like to think that the bluesy guitar melody has a kind of twisting, snakelike quality to it.
(Click on the play button to stream, or the cue title to download.)
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Pet Snakes | |
Michael is pleased to have joined agent Darrell Alexander and a roster of distinguished composers at COOL Music Interactive, a new division of the music composer representation agency.
Originating as a London-based orchestral contracting service (the Chamber Orchestra of London, from which COOL Music gets its name), COOL evolved into an agency representing a handful of prominent composers for film, television, and now interactive media.
COOL Interactive is the designated successor to Michael’s former agency, Four Bars Intertainment, founded by game music representation pioneer Bob Rice.
