08
March 2013
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Cue of the Week: “Poker Night”

This week’s music selection is some 40s-esque big band jazz, originally written for a poker video game. We recorded with a dynamite horn and rhythm section, including some longtime musical collaborators.

The march of music technology has frequently left the studio drummer by the wayside, and I’m just as guilty as the next composer of laying down fake drum tracks via keyboard in the name of a project’s budget. Recordings like these remind me that there is no substitute for the musicianship of a real drummer!


(Click on the play button to stream, or the cue title to download.)

Poker Night
28
February 2013
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Cue of the Week: “Sage Dance”

Written for a visually lush Audubon documentary, this cue blends Native American flute and percussion with orchestral strings. The scene itself draws a visual analogy between a tribal dance and the animal – in this case, a sage grouse – that inspired it.

Film music often is called upon to evoke the sense of a culture through its indigenous music, while packaging it for Western sensibilities. There’s a delicate balance involved in suggesting a culture without caricaturing it. (Imagine the crashing gong that might herald an “Asian” character in a 1980s-era film.) My rule of thumb is that if ethnic music sounds like music, rather than a sound effect, then it’s more likely to succeed as tasteful commentary.


(Click on the play button to stream, or the cue title to download.)

Sage Dance
22
February 2013
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Cue of the Week: “Second Place Blues”

In the movie Siren, the protagonist’s band (for whom we’re all rooting) competes in a giant battle of the bands, only to come in second place. They sulk in the green room, to the strains of this week’s music selection. Fortunately, the movie isn’t over at this point. Guitar props go to Tom Strahle, here channeling a little B.B. King.

(Click on the play button to stream, or the cue title to download.)

Second Place Blues
08
February 2013
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Cue of the Week: “A Last Look Around”

This week’s selection is another cue from Against Time, this time a wistful interlude near the end of the film. Props again to the Budapest Film Orchestra (and their sensitive string section in particular).

(Click on the play button to stream, or the cue title to download.)

A Last Look Around
01
February 2013
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“Identity” concerto available for orchestral rental; soloist subsidy grant announced

Orchestral scores and parts for Identity: Zhongshan Zhuang, a concerto for guzheng and orchestra, are now available for rental from Janen Music.

Composed by Michael Gordon Shapiro and Victor Cheng, the piece puts the 3800-year-old Chinese folk instrument at the fore of the Western orchestra in new take on a traditional concerto setting. Identity has had performances in the United States, Canada, and several cities in Mainland China, most notably in Beijing by the China National Symphony. Janen Music is now making the piece available to American orchestras for the first time.

Recognizing that most American orchestras don’t have access to a guzheng player, Hanyi Inc will subsidize travel and accommodations for a renowned guzheng virtuoso, Su Chang – effectively providing a soloist for the piece at no cost to the host orchestra! This offer is made possible through a grant offered by Hanyi, motivated by a desire to help share this music more widely throughout the United States, and to introduce American audiences to the guzheng. The grant will be awarded to up to six qualified orchestras for performances in 2013 or 2014.

For more information on the piece or the grant, please visit Identity’s page at Janen Music.

Morituri Te Salutant // Michael Gordon Shapiro - Highlights
  1. Morituri Te Salutant // Michael Gordon Shapiro - Highlights
  2. Emerald, Texas // Highlights
  3. Mythic Battle // Highlights
  4. The Yard Sale // Michael Gordon Shapiro - Highlights
  5. Investigations // Highlights
  6. Home Room // Highlights
  7. Sands of Arabia // Highlights
  8. Spider Cult // Highlights
  9. Poker Night // Highlights